Only I couldn't figure out why the singer wasn't in tune. I'll tell you what kind of street rock and roll these bimbos make-when the title cut came on I thought I was hearing Evita twice in a row. Maybe it's just perversity-which would make it the only genuinely perverse thing about the man. How anyone can hang around El Lay so long without stealing a hook or two defies understanding. This is Kim Fowley's project, which means that it is tuneless and wooden as well as exploitative. The Best of the Runaways C+ĭon't let misguided feminism, critical convolutions, or the fact that good punk transcends ordinary notions of musicality tempt you.
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